{"id":3822,"date":"2020-06-20T05:11:29","date_gmt":"2020-06-20T05:11:29","guid":{"rendered":"https:\/\/giulianaretali.com\/sobre-mi\/"},"modified":"2025-02-06T21:10:07","modified_gmt":"2025-02-06T21:10:07","slug":"sobre-mi","status":"publish","type":"page","link":"https:\/\/giulianaretali.com\/es\/sobre-mi\/","title":{"rendered":"Bio"},"content":{"rendered":"

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<\/div>

\u00abLa ret\u00f3rica es una herramienta para persuadir a grandes audiencias\u00bb<\/span><\/h2>\n

Arist\u00f3teles<\/em><\/span><\/span>\n<\/h2>

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LA VISI\u00d3N
\nOPERAS Y SINFONIAS PARA
\nCUALQUIER AUDIENCIA<\/span>\n<\/h2>
Directora de orquesta, pianista y clavecenista, siempre fascinada por la filolog\u00eda musical y, sobre todo, por la relaci\u00f3n entre texto y m\u00fasica,<\/strong> en su carrera practica y investigaci\u00f3n han sido siempre muy vinculados. Trabaj\u00f3 como asistente de direcci\u00f3n<\/strong> en producciones oper\u00edsticas junto a Lothar Zagrosek, Alessandro De Marchi y Victor Pablo en numerosos escenarios, como la Konzerthaus de Berl\u00edn, el Centro Cultural y de Congresos de Lucerna y el Concertgebouw de \u00c1msterdam.<\/span>\nFue especialmente larga y provechosa su colaboraci\u00f3n como asistente del maestro Attilio Cremonesi<\/strong>.<\/span>\n<\/div>[vc_empty_space]
Adem\u00e1s, ha actuado en el Theater Bonn, Th\u00e9\u00e2tre du Capitole de Toulouse, Th\u00e9\u00e2tre de Poissy, Grand Th\u00e9\u00e2tre de Gen\u00e8ve, Th\u00e9\u00e2tre de Caen, Theater Luzern, Festspielhaus de St. P\u00f6lten, Freiburg Stadttheater, Teatro Pergolesi Jesi, Schwetzinger Festspiele, Op\u00e9ra de Montpellier, Theater an der Wien, Th\u00e9\u00e2tre des Champs-Elys\u00e9es. Durante varios a\u00f1os ha dirigido conciertos y \u00f3peras<\/strong> tanto en Alemania como en Espa\u00f1a.<\/span>\n<\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb][vc_column_inner width=\u00bb1\/2″ offset=\u00bbvc_col-lg-offset-1 vc_col-md-6″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″ offset=\u00bbvc_col-lg-5 vc_col-md-5″][\/vc_column_inner][\/vc_row_inner]
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Curriculum vitae<\/h2>\n<\/h2>

EDUCACI\u00d3N MUSICAL | ESTRENOS Y PROYECTOS | REFERENCIAS<\/span>\n<\/div>[vc_empty_space height=\u00bb37px\u00bb][vc_row_inner gap=\u00bb25″ css=\u00bb.vc_custom_1733576322218{padding-right: 35px !important;padding-left: 35px !important;}\u00bb][vc_column_inner width=\u00bb1\/2″ offset=\u00bbvc_hidden-sm vc_hidden-xs\u00bb]

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    2025<\/h4>\n\t\t\t\t\t\t\t
    ROSSINI
    \nPETITE MESSE SOLENNELLE
    \nInterpretaci\u00f3n filologica<\/b>
    \nMallorca- Esglesia des Convent<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    Beethoven\/Mozart
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    SEPTIEMBRE 2019<\/h4>\n\t\t\t\t\t\t\t
    ROSSINI Premi\u00e8re
    \nBARBIERE DI SIVIGLIA
    \n50 aniversario Auditorium Palma de Mallorca<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    2017<\/h4>\n\t\t\t\t\t\t\t
    Fundaci\u00f3n de \u00d3pera 4.0\nMOZART Premi\u00e8re
    \nLE NOZZE DI FIGARO
    \nAuditorium de Palma de Mallorca<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    2014<\/h4>\n\t\t\t\t\t\t\t
    Reconocida por primera vez por la cr\u00edtica como especialista en la ret\u00f3rica de la \u00f3pera<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    DESDE 2011<\/h4>\n\t\t\t\t\t\t\t
    Aplicaci\u00f3n de las articulaciones ret\u00f3ricas<\/b> en la DIRECCI\u00d3N de \u00d3PERA consiguiendo\nEXTREMA PRECISI\u00d3N entre cantantes y orquesta<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    2003 - 2011<\/h4>\n\t\t\t\t\t\t\t
    DIRECTOR ASISTENTE en producciones de \u00f3pera barroca y cl\u00e1sica<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    DESDE 2000<\/h4>\n\t\t\t\t\t\t\t
    PROFUNDIZACI\u00d3N de la expresi\u00f3n de la lengua y la ret\u00f3rica italianas para cantantes de \u00f3pera<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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    PIANOFORTE DIPLOMA (LUCCA)<\/h4>\n\t\t\t\t\t\t\t
    Ganador de varios concursos de piano<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t<\/div>[\/vc_column_inner][vc_column_inner width=\u00bb1\/2″ offset=\u00bbvc_hidden-sm vc_hidden-xs\u00bb]
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      2023<\/h4>\n\t\t\t\t\t\t\t
      MONTEVERDI Premi\u00e8re
      \nORFEO, ARIANNA, INCORONAZIONE DI POPPEA
      \n\"Un viatge per les \u00f2peres de Monteverdi\"
      \nMallorca-Esglesia des Convent<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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      8 SEPTIEMBRE 2019<\/h4>\n\t\t\t\t\t\t\t
      ROSSINI
      \nBARBIERE DI SIVIGLIA
      \nREVOLUTION at the Opera! - ADMIRALSPALAST BERLIN<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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      2016<\/h4>\n\t\t\t\t\t\t\t
      MOZART Premi\u00e8re
      \nLA FINTA GIARDINIERA
      \nNieders\u00e4chsische Musiktage<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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      2010 - 2014<\/h4>\n\t\t\t\t\t\t\t
      Cursos de direcci\u00f3n con C.A.B\u00fcnte y Symeon Yoannidis<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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      2000 - 2005<\/h4>\n\t\t\t\t\t\t\t
      DIRECTOR MUSICAL CLASE DE \u00d3PERA DE LA SCHOLA CANTORUM BASILIENSIS<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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      SCHOLA CANTORUM BASILIENSIS (SCB) BASILEA<\/h4>\n\t\t\t\t\t\t\t
      ESTUDIOS Praxis interpretativa hist\u00f3rica con instrumentos originales,<\/b> clave y musica de c\u00e1mara. Fortepiano y praxis interpretativa hist\u00f3rica del 1800<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        \nPETITE MESSE SOLENNELLE
        \nInterpretaci\u00f3n filologica<\/b>
        \nMallorca- Esglesia des Convent<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        MONTEVERDI Premi\u00e8re
        \nORFEO, ARIANNA, INCORONAZIONE DI POPPEA
        \n\"Un viatge per les \u00f2peres de Monteverdi\"
        \nMallorca-Esglesia des Convent<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        Beethoven\/Mozart
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        8 SEPTIEMBRE 2019<\/h4>\n\t\t\t\t\t\t\t
        ROSSINI
        \nBARBIERE DI SIVIGLIA
        \nREVOLUTION at the Opera! - ADMIRALSPALAST BERLIN<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        ROSSINI Premi\u00e8re
        \nBARBIERE DI SIVIGLIA
        \n50 aniversario Auditorium Palma de Mallorca<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        Fundaci\u00f3n de \u00d3pera 4.0
        \nMOZART Premi\u00e8re
        \nLE NOZZE DI FIGARO
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        MOZART Premi\u00e8re
        \nLA FINTA GIARDINIERA
        \nNieders\u00e4chsische Musiktage<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        Reconocida por primera vez por la cr\u00edtica como especialista en la ret\u00f3rica de la \u00f3pera<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        DESDE 2013<\/h4>\n\t\t\t\t\t\t\t
        DIRECTOR Gala de \u00d3pera, Conciertos<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        Aplicaci\u00f3n de las articulaciones ret\u00f3ricas en la DIRECCI\u00d3N de \u00d3PERA consiguiendo\nEXTREMA PRECISI\u00d3N entre cantantes y orquesta<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        2010 - 2014<\/h4>\n\t\t\t\t\t\t\t
        Cursos de direcci\u00f3n con C.A.B\u00fcnte y Symeon Yoannidis<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
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        2003 - 2011<\/h4>\n\t\t\t\t\t\t\t
        DIRECTOR ASISTENTE en producciones de \u00f3pera barroca y cl\u00e1sica<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
      • \n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t

        2000 - 2005<\/h4>\n\t\t\t\t\t\t\t
        DIRECTOR MUSICAL CLASE DE \u00d3PERA DE LA SCHOLA CANTORUM BASILIENSIS<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
      • \n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t

        DESDE 2000<\/h4>\n\t\t\t\t\t\t\t
        PROFUNDIZACI\u00d3N de la expresi\u00f3n de la lengua y la ret\u00f3rica italianas para cantantes de \u00f3pera<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
      • \n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t

        SCHOLA CANTORUM BASILIENSIS (SCB) BASILEA<\/h4>\n\t\t\t\t\t\t\t
        ESTUDIOS Praxis interpretativa hist\u00f3rica con instrumentos originales,<\/b> clave y musica de c\u00e1mara. Fortepiano y praxis interpretativa hist\u00f3rica del 1800<\/b><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
      • \n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t

        PIANOFORTE DIPLOMA (LUCCA)<\/h4>\n\t\t\t\t\t\t\t
        Ganador de varios concursos de piano<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>
      • \n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
        \n\t\t\t\t\t\t\t

        DIPLOMA DE CLAVE Y CONTRAPUNTO (Bolonia)<\/h4>\n\t\t\t\t\t\t\t
        Ganador de concursos de clavic\u00e9mbalo<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=\u00bb52px\u00bb][vc_single_image image=\u00bb3088″ img_size=\u00bbfull\u00bb alignment=\u00bbcenter\u00bb css=\u00bb\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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